| Vietnam is a culturally diversified
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| | centers, hermitages, the home and places
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| nation with 54 ethnic groups with
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| | of retreat. Contemporary artists may use
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| multiple customs and traditions. Although
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| | traditional or contemporary forms
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| Vietnamese culture was strongly
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| | separately or in combination e.g. film,
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| influenced by traditional Chinese
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| | sculpture or in painting used together in
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| civilization, the struggle for political
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| | an installation piece. While there may be
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| independence from China developed a
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| | a deeply felt spiritual context to the
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| strong sense of national identity in the
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| | work, it would not necessarily be
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| Vietnamese people. Nearly 100 years of
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| | intended to go in a monastery, center or
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| French rule introduced important European
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| | temple and would not have to be made
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| elements into the culture of the country,
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| | according to econometric recommendations.
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| but the Vietnamese still attach great
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| | Many contemporary artists also use themes
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| importance to the family and continue to
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| | such as impermanence, delusion;
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| observe rites honoring their ancestors,
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| | interdependence, compassion commonly
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| indicating the persistence of tradition.
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| | studied in Buddha dharma, and may feel a
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| The first flourishing of Vietnamese art
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| | link with Buddhist ideas without
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| occurred with the emergence of the
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| | necessarily calling themselves Buddhists.
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| Dongson culture on the coast of Annam and
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| | Contemporary art also assists in viewing
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| Tonkin. The inspiration for the
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| | the Vietnam War and war experience in
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| magnificent bronzes produced by the
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| | general through art. It helps to forge a
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| artists of Dongson originated from China:
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| | link between the common man, soldier, art
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| the decorative motifs have clear
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| | and history. Contemporary Vietnamese art
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| affinities with earlier Chinese bronzes.
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| | focuses on analyzing how art relates to
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| At the same time, the exceptional skill
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| | historical themes and issues,
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| of production and decoration argues that
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| | interpreting and understanding art as a
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| these pieces represent among the first
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| | tool of communication, synthesizing and
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| and finest of Southeast Asian works of
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| | assimilating information from different
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| art. The period during which the central
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| | disciplines into demonstrated
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| Vietnamese kingdom, centered on the
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| | comprehension, and further developing
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| Annamite coast was under the Champa
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| | abstract and critical thinking that can
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| rulers saw the 'golden' period of the
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| | be applied throughout the learning
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| Vietnamese art and architecture. Valuable
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| | process.
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| works of Vietnamese Art comprise of the
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| | Despite the shortages and censorship of
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| historic and treasured form of art
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| | the war years, quite a bit of world
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| executed on extravagant, fine and
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| | literature was carefully translated into
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| delicate silk. Created by artists
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| | Vietnamese and widely distributed
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| including Le Pho, Mai Trung Thu and Vu
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| | gradually. This translated world
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| Cao Dam these pieces of art are
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| | literature greatly influenced the
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| pristinely preserved. Lacquer practice
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| | spiritual life of Vietnam. The small
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| has held a major role throughout the
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| | chunk of world literature that was
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| history of Vietnamese Art, and
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| | allowed to circulate in Vietnam during
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| particularly so in 20th Century Vietnam,
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| | the “years of the march towards
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| when a new approach, through color and
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| | socialism,” the years of heroic
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| form, was employed to develop this
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| | warfare” and the “gloomy
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| ancestral technique in order to promote
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| | immediate post-war years,” had been
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| it as an aesthete that is unique to
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| | carefully filtered and wrenched from
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| Vietnam.
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| | their original contexts. Efforts of
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| Vietnam has longstanding folk traditions.
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| | contemporary Vietnam artists have been
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| Techniques and styles are often handed
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| | successful in reviving the exquisite and
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| down within families from generation to
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| | inimitable elements, not only of
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| generation. Vietnamese Art shows a strong
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| | erstwhile Vietnam but have also raised
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| Chinese influence. Traditional Buddhist
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| | some of the present-day humanitarian
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| art forms are very much evident on the
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| | issues. Vietnamese art has thus taken a
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| sculptures and paintings of Vietnamese
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| | stride ahead towards presenting
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| artists. These art forms are made to
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| | South-East Asia as a cultural patron in
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| complement and enhance traditional
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| | the field of global fine arts.
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| practices found in temples, monasteries,
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