Discover the Light of Japan

"We may simply have lost our appreciation forabout two a day by one man including most of the
handmade goods." Igarashi san has been makingpainting. However some truly huge ones have left
chochin paper lanterns in his small shop for his wholethe Igarashi shop over the years - his biggest was a
life. His father too, and his grandfatherand greatmatsuri monster measuring 5 shaku (1 shaku =
grandfather and even great, great grandfather. The30.3cm in the old Japanese measuring system) in
tools & equipment that surround him today, indiameter with an intricate year of the rabbit design
fact, have outlasted his ancestors, their woodenon it. The old lantern maker is realistic about the fact
surfaces worn smooth with age. Since the start ofthat people want cheaper, mass-produced, plastic
the Meiji era (1868 - 1912) Kanazawa citizens havecovered lanterns these days - he even sells them
been buying Igarashi chochin from the store, in thehimself - but he is confident in the knowledge that a
heart of old Kanazawa's merchant district, near thewell-made paper lantern is a lovely thing, superior in
back of the castle. The shelves are stacked high withmany ways to these garish modern impostors. "You
beautifully decorated lanterns - vibrant bursts ofcan repair a good chochin," he tells us, "you can
colour peppering the dusty confines of the littlereplace one rib or fix a hole in the paper no problem."
workshop. Chochin lanterns have a fairly long history"Plastic lanterns have no internal frame and can't be
in Japan - there is evidence of them being used inpatched." A paper lantern no matter how well made
temples in the 10th century - and were used primarilylasts only about a year (natural beauty is always
as a portable means of lighting. Only occasionally usedfleeting) whereas a plastic one might last twice that
inside, they customarily hung outside a house, templeand cost half as much. On top of that, we as a
or business or else in the entrance, ready to besociety may have simply lost our appreciation for
suspended on a pole and carried before anyone goinghandmade goods. Price has become our main
out at night. Igarashi-san reckons that at one timemotivation as customers. We do not care to know
they were so widely used there would have beenhow things were made nowadays, or who made
around 40 or 50 chochin shops just in Kanazawa.them, or else Igarashisan would be the prosperous
Nowadays there remain only himself and one otherhead of a chain of shops. The walls of the Igarashi
local craftsman in the trade and the other fellowChochinya and his ready-to-hand scrapbook sport
(Matsuda-san) has long since diversified, makinginnumerable monochrome pictures and press clippings
traditional umbrellas his mainstay. Making a chochin is ashowing a proud, broad-shouldered young man with
fiddly, fairly delicate procedure despite thestrong, thick arms and a fetching grin showing off
attractively simple appearance of the end product.elegant paper spheres with matsuri lights glimmering
And, when asked what are the most importantin the background. Humbly showing us them, his
qualities in his profession Igarashi-san replies, his brightwarm, friendly smile only slips slightly as he tells us
eyes dead serious, "patience and concentration." Thethat he will be the last of his family line making
average sized lantern according to Igarashi-san, atlanterns here.
about 30 cm across, can be produced at a rate of