Intrinsic Concepts in the Teaching of Classical Okinawan Karate

The roots of Asian society lie in the careful attentionfirst to be attuned to the unconscious.
given to reflective thought on the needs of allIf one really wishes to be master of an art, technical
society and in the conscious development of effortknowledge of it is not enough. One has to transcend
as a process of spiritual awakening or enlightenmenttechnique so that the art becomes an 'artless art'
(kaigan) for everyone, working in relationship andgrowing out of the Unconscious." Herrigel Zen in the
harmony (wa). This is embedded in the East and isArt of Archery
particularly visible in Japanese culture.Moral Philosophy and Spiritual Foundation
Traditionally, the teaching of classical OkinawanIn modern times, far too commonly, there is no
karate also integrated the principles of kaigan and waexplicit discussion of the philosophical and spiritual
and was imparted through close one-to-one care,foundation alive in karate practices, leaving the
attention and guidance given to a student by alearner inarticulate about the effect this has on ones
master teacher. This was central to the teachinglife. There is much to be gained by the conscious
tradition of the old karate masters and formed theprompting of discussion in this area in view of the
core of the karate Program.fact that karate's origins dealt not only with conflicts
Master Teacher Definedrestricted to situations resulting in physical aggression
As with many words, common use of the termbut sought to confront internalized conflicts so that
teacher has steadily robbed it of any depth ofthe learner could strive to overcome their fears,
meaning. It pays to examine it more closely, and indoubts, and inhibitions.
particular to go beyond the term teacher andWhat was true in the beginning is still true today, i.e.
understand what lies hidden in the further termthat the development of the inner self develops
master teacher. The simple definition of a teacher ispersonal humility, respect and tolerance for all things
that he (or she) instructs another in one or severalof the universe and it is through this austere training
subject matters. A teacher has achieved fluentthat the learner is able to avoid life's obstacles and
control of their area of expertise and they haveovercome insurmountable odds in order to live happily
established an effortless relationship with theand without conflict. This is the true pursuit of
materials, processes and outputs of their chosen fieldclassical Okinawan karate study. The roots of this
and are able to communicate this to others. Apractical philosophy lie in the Japanese concept of
master teacher is something more. A true masterShugyo, the dynamic interplay of patience and
teacher has progressed beyond this to a deephumility.
understanding of humanity itself so that he/she isStages of Development
able to see what needs to be nurtured and at theIn classical Okinawan karate learners go through
same time deeply understands and can guide thethree phases of development. This development is a
learner through the process of struggle, learning andprotracted endeavor which many people never
growth that yields maturity. He can grow futureachieve, and which master teachers would say
teachers and indeed future master teachers. Therepeat and never end. The processes of growth are
result of a teacher's work is output. The result of aslow and the phases of development have to be
master teacher's work is people.nurtured over time. The three phases of
Whereas a shogakusha, beginning learner of classicaldevelopment are known in Japanese culture as Shu
Okinawan karate sees the art as a practical meansHa Ri.
of self-defense and as a method to condition theWhile starting from Confucian roots teaching in Japan
body, a master teacher understands that classicalhas been substantially shaped by Zen practice. In
karate is a path of life and philosophy that bothparticular the teaching of classical Okinawan karate is
teacher and learner pursues in the search forstructured through the shu ha ri cycle of minute
enlightenment. In Japanese this is referred to as michi.attention to detail, the development of complete
The master teacher strives at his art, for it totechnical fluency and then an alert responsiveness to
always carry the light. He strives at himself, for hiscircumstances very analogous to Zen learning
virtue to be capable of the task. His teaching is aemphasizing the closeness and subtlety of the
calling.master/student relationship and its longevity, through
Master teachers carry this practical philosophy in tworepeating cycles of action and reflection over time, in
ways. Firstly there is a dimension of sacrifice evidenta three-fold learning process.
in their teaching, sacredness both in process andShu ha ri as a learning process which goes from
product (Latin: sacrificio - to make sacred) so that itsuperficial to profound to superficial, so that there is
definitively carries life's meaning. Then there is evidentfirst a external understanding based upon learning
in themselves a powerful ascetic self-control. Theyrules by rote; the second stage involves expanding
work a long way beyond being self-centered. (Latin:the learning to various applications and situations, in
virtus - strength. Virtue - to have the clarity of soul,order to deepen; and the final stage is superficial
the strength of soul, to hold to what is right and notagain, as one reaches the ultimate phase all
let go.)attachments are severed and one is completely
Essence of Classical Okinawan Karateemancipated. This emancipation, however, leads one
Classical karate is an art that embodies physicalback to the beginning and the foundations of his
practice, theory, and ethics (moral philosophy andeducation. The final phase brings one back to the
spiritual foundation). In the initial stages, most classicalfirst steps of learning the rules, but now the rules can
karate instruction concerns itself with physicalbe understood from a perspective of freedom, in
practice and theory, with ethics being revealed inthat they are applied not through unquestioning
time, under the careful guidance of a master teacher.replication but through an understanding of their
Physical Practice and Theoryinherent wisdom.
The physical practice and theory involves learning andIn this context, the responsibility carried by the
integrating a broad range of fundamental physicalmaster teacher for formative guidance - for care and
skills as well as the underlying physiological andrespect for the person being guided - and the
psychological principles upon which the self-protectionresponsibility of the student to try to give life to the
arts rest.guidance of the master teacher - a reciprocal caring
The physical practice and theory of classicaland respect - is tangible. But so is the Japanese view
Okinawan karate encompasses a core curriculumof life as a learning process of growth towards
designed to ensure that the learner achieves theaware maturity, in which activities are always worked
highest level of skill for its intended utilitarian purposesat for their spiritual content.
i.e. the simple yet effectively brutal self-defense,Précis
while at the same time nurturing the active directionThe heightened empathy, seeking out the root
of attention to the philosophical and spiritual aspectcauses of things, and realizing its potential for good, is
of the art.at the heart of classical Okinawan karate. These
While the immediate output of physical practice andbuilding blocks are central to the teaching of classical
theory is effort, it always has internal as well asOkinawan karate. Sensitivity to the detail of
external results. Dedicated training requires internalcircumstance has to be combined with the
effort, developing the self-control necessary toobservations of others captured from their
master a skill for instance, which results in the internalexperience and passed on as advice. Out of the
competence to be able to apply that skill. In allstruggle of this combination process comes
growth processes the internal stages occur unseen -enlightenment. In all this the experience is primary, as
below ground - and a master teacher will nurture thatmuch of what the master teacher is passing on can
process, feeding the roots. What flowers comes lateronly be passed on in context. Competence cannot be
are of its own accord, i.e. the internal alwaysdeveloped in abstract. It cannot be taught in a
precedes the external, and patience is essentialhanding over information in a classroom sense,
because time is the true judge.because it is not abstract information. It is a set of
While physical practice and theory provides fordynamic skills, alert sensitivity and well-honed
technical competency, it should not be seen as anresponses to circumstances that has to be
end in itself. The core mission of physical practice anddeveloped in guided practice.
theory is to provide a conduit in which human growthThis provides a framework for the master teacher
occurs and where the meaning of all things is seen into impart and teach classical Okinawan karate.
the context of the whole and thus each thing is doneSpecifically, it highlights the real responsibility of the
for its intrinsic value, a process in which both themaster teacher as an archetype and catalyst, not
master teacher and learner express themselves,simply as a custodian of information.
listen, absorb, respond, and find themselvesThe following quote captures the spirit of teaching
incrementally enlightened through their relationship.classical Okinawan karate very effectively:-
"One of the most significant features we find in theIt is as though the master had said to him, "I can tell
practice of archery, and in fact of all the arts as theyyou there is something you need to know, and with
are studied in Japan and probably also in other Farmy help you may be able to learn it. But I cannot tell
Eastern countries, is that they are not intended foryou what it is in a way you can now understand. I
utilitarian purposes only or for purely aestheticcan only arrange for you to have the right sorts of
enjoyments, but are meant to train the mind; indeed,experience for yourself. You must be willing,
to bring it into contact with the ultimate reality.therefore, to have these experiences. Then you will
Archery is, therefore, not practiced solely for hittingbe able to make an informed choice about whether
the target; the swordsman does not wield the swordyou wish to continue. If you are unwilling to step into
just for the sake of outdoing his opponent; thethis new experience without knowing ahead of time
dancer does not dance just to perform certainwhat it will be like, I cannot help you. You must trust
rhythmical movements of the body. The mind hasme.